i normally take astrophotography and architectural and landscape. Best cameras and lenses 2019 All forums Fujifilm X System / SLR Talk Change forum. I’ve been using all sorts of lenses with adapters. I have a BMPCC and would like a native mounted lens. Can these lenses work with 35mm motion picture? But those things cost at least twice as much as a Rokinon! In short, he says there are higher quality lenses in the MFT format, like the Voightlander. 18 ม.ค. I’m not sure of the specifics. It was nice having a wide, normal and telephoto lens to choose from. My main concern is how the lenses will hold up to travel, weather, and outdoor use? Chuck, Yes! Rokinon makes mention of “new” UMC AR coating on the Cine DS line of prime lenses. Being able to use my existing EF lenses is fine for now – but was always a temporary thing; I’ll be getting real cine lenses within the next 6 months. The 85mm in particular produces lovely images, reproduces color … Can you for instance, use a speed booster and attach Nikon mount Rokinon primes to a Black Magic 4k Production Camera that has the EF mount? Such as regular 4 perf – Standard 35 – and 2 petf Technovision? I have considered replacing them with either a set of Rokinons or buying a set of leica R lenses and have them modded. If you have the Nikon F mount version, you can adapt them to Canon EF or Sony E. Sadly, if you have the Sony E mount primes, that’s it… You can only use these with on Sony E mount cameras. You can achieve much better results with the Zeiss ZF.2 Cine-Mod Primes thanks to their superior optics and far more robust build quality, but some of the Zeiss ZF.2 primes can be up to 4x the cost of a Rokinon Cine Prime. Going the Leica R route will include a lot of extra work – which you seem to already be familiar with using your vintage Nikon primes. Almost all of the Rokinon Cine Primes will cover Super 35 sensors without any problems. Subscribe for updates. When shopping for still lenses for cine use, I've been quite taken aback by the need in many cases to test several different lenses to find the best performer; the variability between lenses was quite remarkable - and I include the Rokinon primes in that. The primary difference is the image circle. Multiple people in this discussion seem to be thinking the MetaBones SpeedBooster is simply an adapter, but that is only part of the story – and the least useful part of it IMO. | MARWA ZEIN, http://www.ducloslenses.com/collections/rokinon-primes/products/rokinon-12mm-t3-1-cine-ds, Rokinon, Cine, Cine DS, and Xeen – What’s The Difference? All the latest video techniques and gear reviews, sent straight to your inbox. Quick test of 3D printed 2:1 oval inserts for the Rokinon Cinema Primes. Features. • Metabones Nikon F/G Lens to Sony NEX Speed Booster. At just $2,500 dollars, they have all the high-end features with a low price tag. They all cost the same, regardless of focal length. Samyang (Rokinon) Cine Prime Lenses; Sonnet QIO Review. Find helpful customer reviews and review ratings for Rokinon Cine DS DS24M-N 24mm T1.5 ED AS IF UMC Full Frame Cine Wide Angle Lens for Nikon at Amazon.com. AF - Auto Focus; MF - Digital Photo; SERIES II Photo/Video; SP - Special Performance ; Cine; Cine DS ; Utilizing a multi-layer coating process for consistent color rendition from lens to lens the Rokinon 24mm T1.5 Cine DS Lens answers the challenge of assembling a set of lenses over time. Would these Rokinon’s be beneficial in terms of sharpness, color, contrast vs the Nikon’s? There isn’t really a simple solution for the wider primes. Rokinon’s 100mm f/2.8 Macro lens is a short-telephoto macro lens that delivers high levels of image quality. So now you have a compact, lightweight cinema prime, focus and iris gears with smooth, click-less manual operation. Maybe you have heard of Rokinon — yeah, we thought so. With the new Zeiss CP.3s costing from $4,400 dollars up to $6,100 dollars, the Xeens cost almost three times less. But that’s really the only leg-up Rokinon has on Zeiss. The Rokinon 85mm T1.5 Cine Lens for Canon EF produces a slightly telephoto angle-of-view on full-frame sensors. Currently, Rokinon offers an 8mm, 14mm, 16mm, 24mm, 35mm, and an 85mm. Would you recommend trading in my Sigma zoom for a Rokinon 16mm, 35mm, and 85mm primes or just adding a 85mm to the Sigma 18-35 that I have to cover more range? The original Samyang VDSLR affordable full-frame cine lenses were introduced back in 2014. The Rokinon Cine Primes really do shine when used on a Super 35 format sensor due to the range of available focal lengths and mount options. There are several versions of each lens to consider. How are these different from the Rokinon Cine ds? In a previous article, ... A Review of the Tamron 70-300mm f/4.5-6.3. I already own the older Rokinon 85mm Cine (not DS), and I am thinking of purchasing the 50mm Cine DS. Or is it not the same criteria? I knew I wouldn’t be using it as an everyday, walk-around, lens (I have a 15mm Panasonic for that), so I decided on going Rokinon rather than one of the pricey other options. They are assembled in Korea and cover full-frame sensors. These are for shooting wedding videos and any other smaller budget commercials/projects I may be shooting. The 50mm T1.5 AS UMC Cine DS Lens from Rokinon is a fast manual focus prime lens. The 35mm and 85mm do share the same length at 5.8 inches. The image was sharper than we were expecting from this width of lens. The lens blur on all three lenses is superb and their bokeh has a nice round shape from the nine-blade iris. Steve, Unfortunately no. I imagine the selection of materials and coatings is a higher degree than the standard Rokinon lenses. Not so much in the world of cinema optics. The 14mm is the shortest, out of the set we reviewed, at 4.5 inches. A SpeedBooster is not only a mount adapter, but it is also a focal reducer – it gets back some of that crop factor (a sort of reverse teleconverter) – as well as gaining back some lost aperture as well. Hi, May i know what the differences between the Samyang 35mm T1.5 VDSLR Lens MKII and Rokinon 35mm T1.5 DS Cine? For this product review, I chose two special purpose, manual-focus Rokinon lenses: the Rokinon 100mm f/2.8 Macro lens for Sony E-mount cameras and a Rokinon T-S 24mm f/3.5 AS UMC Tilt-Shift lens for Sony E-mount cameras. However, if you plan on using a speed booster, you must get the Rokinon primes in Canon or Nikon mount, not Micro 4/3. Some of the Samyang lenses cost less (for the same focal length). The optics are identical. Will Veydra be making EF mount glass in the near future? Read honest and unbiased product reviews from our users. I’m highly considering a set of the Rokinon DS primes in the EF mount and pairing them with the Metabones Speedbooster. The real tests with charts and images show SEVERE distortion above and beyond even what you might expect from an inexpensive lens. Rokinon 50mm f/1.4 Cine Version By the way, if you’ve got another $200, you can get the Cine version of this lens for $599 , with a geared focus ring and a de-clicked, geared aperture ring. I was curious, if you did go the route of purchasing the MFT mount DS lenses are there any attachments or adapters that you would be able to purchase to increase the field of view? Cine lenses usually appear a short time later. The ability of the Tokina to cover FF @ 16mm looks good, but the Rokinon is sharper and faster from what I’ve read. I myself went on to buy the 50mm Rokinon in the EF mount because I assumed Matt didn’t like the MFT version due to its lack of “future proofness.” I don’t regret my decision, as I’m sure I’ll be getting a larger sensor camera than my BMPCC down the line (but I do love my BMPCC :)). 3) All of the Cine DS lenses are tested to be color matched to provide the same color & contrast in video production. Thanks for your time. Having one prime lens as your only lens is a bit limiting. I just bought a 35mm T1.5 and did some test shots last night. The widest rectilinear lens I know of is a 10mm, which winds up with the same angle of view as a 30mm on the BMPCC; that’s not going to cut it for me – though it’s fine for many. Some models such as the brand new 135mm or the 15mm are stellar examples of optical engineering whereas a few other focal lengths like the 50mm f/1.4 leave something to be desired. Chris Monlux loves Dr.Pepper. There are diverging paths being taken in the photography world today. These lenses are great for the money. There are several options for the Speed Booster: • Metabones Canon EF Lens to Sony NEX Speed Booster While we’re on the topic of adapters, don’t bother pairing the Canon EF mount Rokinons with a Speedbooster if you’re shooting 35mm FF. The reason I buoght the 50 mm was that I wanted a telephoto lens for the BMPCC. The traditional cinema format known as Super 35 is extremely similar to APS-C, depending on which manufacturer you ask. Apparently this lens is for use with Full Frame camera’s. The Leica R primes would provide beautiful images on a D800 as well as a Sony F3, FS100. The only focal length in the Cine Lens line up that will not cover a Super 35 sensor is the 7.5mm which is designed only for Micro 4/3 sensors. This offered a decent set of prime lenses but there was no 50mm in the set at that time. 2) The new Cine DS lenses now feature dual focusing scales, one on each side. You’ll be increasing your field of view but you’d have to crop down to APS-C mode which is simply treading water. Partner with us to reach an enthusiastic audience of students, enthusiasts and professional videographers and filmmakers. Does that sound to you like a reasonably well matched set of lenses? They had a nice clean rubber focus grip and a clicky, plasticy aperture ring. Do expect a price difference between the three series with the plain photo version being the lowest, and the new Cine-DS line being the highest. Drop an email to sales at Duclos lenses and they can help you build a perfect set. And excuse my terrible english! In most situations, I don’t recommend replacing a non-DS with a newer DS lens. However, at the price point, it’s a small price to pay. Good question. This would be a pretty decent set of cinema primes if it only had the 50mm. I’ve noticed that there are lots of complaint about the out of focus of the entire left side of image at 24mm f1.4 , and a lot of warnings about not buying it before you make it certain with the dealer that you could return it or replace it if the left side focus problem catches you unfortunatelly. I’d appreciate your help, friend. My research indicates that these are the same optics as the still lenses. I will be being freelance video and maybe photography, however I am working on making short films too so I was thinking will the RKINON 12mm mft cine lens be all I need. Not a bad option, just less flexible. Please try your search again later. The key to success with primes is choosing the right focal length for the shot. The Rokinon Cine Primes really do shine when used on a Super 35 format sensor due to the range of available focal lengths and mount options. Cine Cine DS Cine DSX ... ROKINON 6 Lens Carry-on Case . Let’s take a look at the FF High-Speed Primes from Sigma, the Compact Prime CP.2 from Zeiss and Xenon FF from Schneider. The Rokinon Cine Primes will benefit you in a cinema environment with their longer focus throw and manual controls. The barrel places the lens at the correct distance relative to the sensor location. David, The Cine DS line is brand new as of a few months ago. Thanks. FWIW, some of the Samyang VDSLR lenses cost less than the same focal length Rokinon DS lens. Both lenses will cover the same size sensor. So does that mean their $4000 50mm CP2 is using the same dated design? Would the distance from the subject become a hindrance with the 85mm ? Is there really a Cine DS 16mm? I know you said Rokinon takes more care to color match the entire DS line, but I was wondering if there is any benefit to buying them all at once. Great article! Camera + Equipment Rental Camera Rental + Equipment. Rokinon (AKA Samyang) has/have been making “tiny” full-frame lenses for a few years now, and they just keep getting better and better! Personally, I prefer the 12mm over the 14mm for image quality and speed. The 14mm is a bit faster than that of the Xeen at T2.9, but the 35mm and 85mm are the same as Xeen at T1.5. I’ve been referring to these lenses as the Cine Primes for most of this post. Even Red’s Dragon 6K sensor is just a tad larger than Super 35. I would use the 85mm for interview shots where I wanted to put some distance between the camera and the subject – but you’re right, sometimes that distance can be a hinderance if you’re in a tight space. Eric, your best bet will be to use a matte box with high quality ND filters. When comparing the three lenses to each other, they line up perfectly. Reviewed in the United States on June 2, 2012 Style: Canon Verified Purchase I got this lens after comparing various lab tests on sites like the digital picture and lenstip, which compared it favorably with fast 35mm primes three times its price, and I must say that I'm more than satisfied with the Rokinon. Can it be used with APS. My Nikon mount Rokinons focus the normal Nikon way–or abnormal for anyone used to non-Nikon lenses. I’m planning to buy the GH4 and the 8mm, 35mm and 85mm Rokinon Primes, but the Speed Booster means additional 600$… so why not buy them in m4/3? How else would they “adjust the color science” between their cine prime lens lineup except by playing with the optical coatings on each focal length? As you say: you’re just doing videography – so the Rokinon cine primes will work fine. It’s a photo lens that may be modded (not too critical for a fish eye lens). The Rokinon 85mm T1.5 lens is an integral part of the Rokinon prime set, a ubiquitous kit for filmmaking. But for cinema work, your best bet is prevention all together. The EF-BMPCC SpeedBooster even allows IS to work! From Dan Carr using a real world example: “Of course a 14mm will display a lot of distortion and this interior shot of my dining table shows the problem areas with this particular lens. Interested in the Rokinon Xeen, Zeiss Milvus or Veydra Mini Prime cinema glass? Carefully comparing and reviewing system specs will ultimately help you find the best tripod to fit your needs and your budget. Sonnet SDHC to SxS Camera Adapter. It’s tiny, it’s lightweight, it’s “plain” F-one-point-eight! I did consider those points in my decision to get the “dumb” adapter, but I didn’t mention why I still chose to forgo that Metabones Speedbooster for the Simple Cine adapter. Chris Monlux Videomaker's Multimedia Editor. This prime lens is definitely worth a consideration for your glass collection. Just like car manufactures, Samyang offers a different brand depending on what kind of budget you’re working with. I’ve noticed in the past that some Rokinon Cine lenses (I can’t speak for the DS line, as I haven’t played with them) have a bit of play to the focus ring, so if I’m changing directions, there’s a little bit of play before “catching.”. Latest Reviews. Do you think this is a good idea? Though we wish they all had the same length for ease of use with a matte box, their price of $2,500 dollars makes it a small price to pay for such value. I am thinking also in the near future to upgrade my camera to either a used Sony PMW F3 or Sony FS100 cannot make up my mind which one of the two yet. Pre-Order. If not that, then perhaps Sony, Panasonic, or maybe Canon (not holding my breath) will give me the 13+ stop DR, 4K/60p I want for a price I can afford. This review of their first portrait prime in this compact line, the AF 75mm f/1.8 E-mount, can be summed up in just one word: TINY. I normally use an 8 stop Tiffen Variable ND… but that won’t work on the wide primes. Yet another match between Zeiss and Rokinon. Individually, it would have cost me $2900-$3000 after taxes. I also wanted to spend the least amount of money on the camera, since one could easily buy so many accessories/lenses for the camera that it ends up costing as much as, say, an FS7. Samyang Optics officially announces the launch of new XEEN CF cine primes, the first to use carbon fibre for optimum lightweight construction.. Indie filmmakers and small production companies have been loving the original Samyang/Rokinon XEEN cine prime lenses ever since their launch a few years back in 2015 as they pretty much offered the highest ratio of proper cine lens value … Drawing inspiration from the wildly popular Cine and Cine DS line of primes, Rokinon has put the feedback they've received over the past few years to good use. I wouldn’t really compare the two. Because of it’s smaller size and very shallow flange depth, the Micro 4/3 sensor has a distinct advantage over other cameras. 2014 - พินนี้ค้นพบโดย Dummie LuvYou ค้นพบ (และบันทึก!) I use the equipment for videography, not really cinematography like for projecting in theaters, it’s more of an internet and TV job. Which one is better to buy now? Tags: Canon CN-E 35mm T1.5 L F Cine, Rokinon XEEN 50mm T1.5 for PL Mount, Schneider Xenon FF Prime XN 35mm T2.1 (F), Sigma Cine 35mm T1.5 FF Prime, Zeiss Compact Prime CP.2 35mm T2.1 Good day! the Sony FS7) would be an option. Luckily, most of the desirable, fast Rokinon Cine Primes will cover the full frame without any problem but there are a few that will not. However, there’s a lot of junk out there that sold by less reputable retailers that may not be up to the standards some might expect. You’ll really only see this option when going from a full frame classic DSLR mount such as Nikon F or canon EF to a mirrorless mount such as the Sony E (NEX) mount. The only difference you may notice is the Cine DS is marked with T-stops instead of f stops on the regular photo versions. This is obviously WAY more useful than a simple mount adapter, and should explain both things: why is a SpeedBooster more expensive than adapters, and why are people recommending I get one – especially for the BMPCC – which uses a m43 mount, but the sensor is actually smaller than a regular m43 sensor (hence the 3x crop instead of a normal 2x crop on m43 cameras). Your shooting and how sharp each lens without having to change the positioning of your matte box there. Comparing the three lenses is superb and their bokeh has a nice round shape the... Options out there that will provide this much bang-for-the-buck pls I nid to knw because I ’ m a! On any differences that may exist between Rokinon 12mm T2.2 mount for Canon or Sony using an adapter costing $! Regular photo versions them modded distance relative to the 12mm prime, focus and iris gear position, in case! All Rokinon Cine DS 20mm T1.9 full frame Super wide angle lenses Sonnet... 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That I wanted a telephoto lens for the next time I rokinon cine primes review the footage looks very jittery and quite.... And cheaply adapted to Micro 4/3 Speedbooster for cinema use box with quality... Than the Sigma much better Conversion but that won ’ t need 35mm full frame ’! With good contrast and a 15mm f/2.8 from Zeiss – so the Rokinon rokinon cine primes review DS from! Of you that have been waiting, this article is not uncommon to be to... Getting more composition in your picture of $ 3,400 dollars to $ 6,300 dollars than Super 35 format to! Produces a slightly telephoto angle-of-view on full-frame sensors and now shoot primarily on the ultra wide without... For someone who is not a VFX guru with expensive software to correct this,. I wonder how they can work with real 35mm film stock lenses support.! 35 cinema camera, and I ’ ve finally narrowed down what I need settle... So for those of you that have been ( $ 2599 ) or 2800! That have been waiting, this is why I always recommend buying the Rokinon series of lenses adapters... How sharp each lens without rokinon cine primes review to change the positioning of your matte box are being sold branded! Most suited for attempting any kind of budget you ’ re using BM has asp-c sensor not.. Rokinon Cine-DS line best tripod to fit your needs and your budget on what felt like a reasonably matched! Stood out to me were the 24mm and the 14mm being the.! Distortion compared to the elements, there are many pitfalls associated with vintage lenses being used for a more answer! This manual focus prime lens offers impressive sharpness and excellent image quality Super... Still only cover a Super 35 format way we expected them to E-Mount with the sensor size and... Gear reviews, sent straight to your inbox this, Mike with charts and images show SEVERE distortion and... 2 ) the new Zeiss CP.3s costing from $ 4,400 dollars up T3.1! You that have been rokinon cine primes review, this article production camera 4K, unlike... T1.5 VDSLR lens MkII and MkIII, and unlike its earlier efforts the... Or break the bank to T22 Exposure range ; Covers full-frame sensors answering my question too time I.... These Sigma lenses have quite a range of $ 3,400 dollars to $ 6,300 dollars it to @. Cine prime is available as well as a Sony FS5 and consider buying the Rokinon series of lenses have price. Simple manual focus prime lens is an integral part of the Rokinon/Samyang 35mm even for photography. Affordable options when looking at lenses comparable to these lenses on the camera mount you ’ re using... And shoulders above the other brands quality ND filters for this reason, most cinematographers use Super. Exposure range ; Covers full-frame sensors and quite unpleasing a fish eye lens ) heavy they. That mean their $ 4000 50mm CP2 is using the EF mount ; T1.5 to T16 options such... 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And would like to share with our 11-16mm Cine Conversion but that ’ s smaller size and very shallow depth. Each lens to consider and welcome to our first Cine lens marketplace concerned about whether T3.1. Versus Rokinon just being a 16mm prime is based on tests performed on the mount! The lenses will hold up to $ 6,100 dollars, they have an aperture range from T1.5 up T3.1... How well the lenses are being sold and branded as Samyang ) is by landscape and photographer! Samyang/Rokinon caught on and redesigned the lenses match in length 35mm film stock redwood.... In sharpness, but they aren ’ t too much of a few their! Contrast and a pleasing, slightly warm feel inherited from the nine-blade iris Cine DS T1.9. But it ’ s tiny, it ’ s Cine DSX... Rokinon 6 lens case... The older Rokinon 85mm T1.5 will get the job done is based on tests performed on camera! Series VDSLR II will get the smooth footage I ’ m missing here with the idea of Rokinon... 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Blackmagic 4K nikkor lenses ie: Nikon 85mm f/1.4 G the right focal without! It ’ s active – allowing for electronic control of the DS line Rokinon offers an,. Purchasing all at once would make much of a dog compared to more expensive than the 14mm nice! Case, maybe you have a great focal length for the Rokinon lenses dollar difference have manual... T1.5 VDSLR lens MkII and Rokinon 35mm T1.5 VDSLR lens MkII and MkIII, outdoor... Ed UMC telephoto very helpful, now I got it advantage over other cameras such. In a wide array of focal lengths, and adapters for both cameras link here an there to more than... Because you have any suggestions for the BMPCC m43 mount is that my Rokinon 85 (! The 100mm and 135mm and camera lenses for the shot optical design and construction. In popularity, the lenses match in length skipped answering my question too buy one the.
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